Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
-
The Diary of a Nobody, The King’s Head Theatre – Review
Hilarious and chaotic, it evokes the fun of the original novel with great results.
-
The Ring Cycle, The Scoop – Review
An outdoors production south of the river that outshines the West End, this transformation of Wagner’s well-known 19th Century opera will convert any theatre-phobe.
-
The Sequel, London Welsh Centre – Review
A great choice for a humorous night out even if it is lacking in its central plotline at times. Guaranteed to make you chuckle!
-
Happiness is a Cup of Tea, Hen and Chickens Theatre – Review
This heartfelt exploration of grief and personal identity has strong elements, but there is room to grow.
-
Laughing Matters, St James Theatre – Review
A spectacular and hilarious showcase of cabaret numbers and Celia Imrie’s undeniable talent
-
The Medium, Arcola Theatre – Review
A mixed bag: strong performances teetering on top of weaker production elements.
-
A Midsummer Night’s Dream, Rockwell House – Review
A fresh portrayal of a classic play; great fun for everyone.
-
Dogfight, Southwark Playhouse – Review
A classic tale of young lives torn apart by a needless war with great songs to boot.
-
Spoofing for Gordon, The Hen and Chickens Theatre – Review
An eye-catching story that suffered from awkward writing and limp production.
-
The Immortal Hour, Finborough Theatre – Review
This skilful revival of a British faery opera inspired by Celtic mythology is a centenary production well worth seeing.