A solid and interesting production from a new writer, but not the Finborough’s most outstanding work.
Read More »Author Archives: Chelsey Pippin
The Blacksmith At The Bridge of Bones, The Fabularium at Oxo Wharf Tower – Review
Haggarty is an unmissable performer. Fairy tale lovers shouldn't miss a trip to the Fabularium.
Read More »The Dreamers, St James Theatre – Review
A disappointing addition to a year of commemorative Great War plays. Might suit families with small children, but otherwise unsatisfying.
Read More »Chef, Soho Theatre – Review
A powerful combination of meaty script and dynamic acting make this a delicious and poetic production.
Read More »Dirty Special Thing, Platform Theatre – Review
This engaging production is a great reflection of Generation Arts’s commitment to fostering the talent of marginalised aspiring actors.
Read More »Some Girl(s), New Wimbledon Studio — Review
Some standout performances bring this black comedy about the scars left by our romantic pasts to life.
Read More »Macbeth, The Rose Playhouse — Review
While the ruins of the Rose seem an ideal place to stage this Shakespearean tragedy, the space as well as the execution of the script made this production difficult to engage with.
Read More »I Wish to Die Singing, Finborough Theatre – Review
This daring play calls much-needed attention to the Armenian Genocide of 1915, but lacks in comparison to many of the Finborough’s previous political productions.
Read More »Carmen Disrupted, Almeida Theatre – Review
Though beautiful and well acted, this production about the isolation and disconnect of urban life ultimately isolates audiences with overly artsy elitism.
Read More »The Red Chair, Soho Theatre – Review
A charming and twisted original fairy tale from a splendid artist.
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