Everything Theatre

A highly experimental, emotional one-person show that explores grief and memory through classic and immersive performance.

Driven by electric chemistry between its leads, this is a tender and intelligent exploration of what it means to feel.

A dazzling array of talent illuminates this popular musical by taking it back to square one.

Small town hopes and frustrations brought to life, but beware ongoing pride and stubbornness.

If these two script-in-hand productions are a taster of what Canadian theatre is all about, then we should be welcoming our overseas friends along more often.

An exceptional narrative, a solid script, and a staging and performance that still needs work.

With an engaging premise, good direction and a beautiful set, there’s a lot to like about Buonarroti, in spite of issues with chemistry.

A witty, warm-hearted reimagining of the Arthurian legend that combines silliness with genuine emotional depth. Packed with inventive storytelling, great performances and theatrical imagination.

Visually inventive and musically engaging, Rapunzel has plenty of charm and potential, but currently loses its way, with an overcrowded script and muddled narrative stopping its feminist heart shining through.

An intimate first glimpse at The Jonathan Larson Project reveals a cast and creative team alive with affection, responsibility and excitement

An unusual way to beat the heat while simultaneously supporting hyper-local Pride, rolling around the footings of a 12th-century Saxon bridge over the River Thames proves an unexpected treat.

A heartfelt story about loneliness, confidence and the need for human connection.

Searing, sultry and salty; Grindr: The Opera! is unforgettable.

Fiona Lynch is mesmerising in this intense and intimate revival of the powerful testimony of young Gaza activist killed in 2003.

‘The magic will work, but you must concentrate!’ is the slightly barbed energy that dominates James Phelan‘s spectacle of astounding psychological manipulation and mind-reading. With a finger pressed to an audience member’s forehead, he summons information directly into their mind – names, unspoken secrets, knowledge of sentimental objects from other members of the crowd. It is one of the most ambitious feats of hypnotism conceivable, built on a delicate atmosphere of trust, engagement and imagination. Phelan builds his world gradually, starting with a series of warm-up tricks that draw us into his logic. A card trick is framed around probability and influence, as he distracts us with mundane conversation before correctly naming the selected card. He then moves into exercises designed to engage the imagination: a magnet-like force pulling fingers together, one arm weighed down by an invisible box while the other is lifted by a balloon. From there, he escalates to his thought-summoning pièce de résistance, which begins by securing a volunteer’s feet to the floor with a few gestures and words. Alas, the imaginary quicksand does not take hold. The trick works only if the audience member fully commits to the illusion. We need to cooperate.  The interesting…

A strong attempt at addressing the abuse of power and how memories can change

A crocheted commune retelling raising eyebrows, spirits and religious restrictions.

Silent movie meets social commentary in a clever piece of physical theatre that speaks volumes without a word being uttered.

A dazzling spectacle of ideas and imagery that overwhelms, but rewards curiosity with flashes of brilliance.

An energetic, morbidly hilarious exploration of radicalisation and impressionable youth, sitting in the shadow of the events that started the First World War.

Inspired casting choices elevate an otherwise middle of the wood production.

Playful, fearless and constantly searching.

A kaleidoscopic human murmuration lands at the Southbank Centre

Sharp and modern Cyrano blending humour, heartbreak and contemporary relevance

An exceptional, arousing version of Shakespeare’s steamy erotic poem.

A thoughtful examination of masculinity, belonging and redemption.

Light and dark worlds collide in this assured production.

More intoxicating thrills, unparalleled physical excellence and outstanding drama than you can ever imagine!

Rafaela Carrasco's meditation on creativity that doesn’t quite ignite.

Are you a gay man or a middle-aged woman? Do you want to be titillated, yet still maintain a scrap of refinement?

Tutu Ching and Ensemble on Murmurs Devoured by the Sea

Ex-police detective Sallyann Fellowes discusses her hilarious, deeply personal comedy show BIRDY at Camden Fringe 2026, featuring CID tales and family infamy.

Everything Theatre has a track record in championing Theatre for Young Audiences, as well as supporting young creatives taking their first steps in putting work on the stage. So we were more than happy when The Royal Court asked if we’d like to share their interviews with the winners of this year’s Young Playwrights Award. The Royal Court‘s Young Playwrights Award 2026 received more than 260 submissions from 13–18-year-olds throughout the UK, following a national programme of free workshops for schools and youth groups, alongside digital resources and videos. The free-to-enter award aims to discover, nurture and champion the next generation of playwrights, offering personal feedback for every play submitted, and addressing the current lack of provision for scriptwriting as part of the school curriculum.  The winners of the 13-15 age category are Lucy Edda Leggatt (Fruit.), Rufus Peaty (You’ll Live); Lucy Varley (A Shadow on the Ocean).  In the 16-18 age category, the winners are Thomas Mossman (Bus Stop of Strangers), Lucy Nicholas (Build-a-Boyfriend (please don’t leave)) and Dhaani Singh (You Can’t Say That).  Lucy Edda Leggatt, writer of Fruit.  Describe your play in a sentence…  My play is about the small lives of two girls in the 17th…

Emballage Ensemble on The Writing of Stones

Simon Shaw on the Madness and Music of I’m Not Myself Today

Mackie Reyes & Megan Brewer on Grave Matters

Sophie Todd on PERDITA

Discover how global comedy collective 'Bitches in Stitches' is shattering old-school stand-up stereotypes at Camden Fringe 2026.

Rudra Bharadwaj and Aadhya Kacher on Jack in the Box

Set in the 1940s but fiercely relevant today, Polis Loizou’s 'You Oughta Be In Pictures' brings a dangerous, moody character study to the Rosemary Branch.

Crystalia Varelis on Controlled Burn

An unmissable, cross-cultural Camden Fringe feature.