Everything Theatre

Nick catching up with... himself, where he asks himself about his own show, ALPHABET RAINBOW: a Fistful of Queer Plays

Always wanted to see what goes on backstage of a murder mystery, where things are not always what they seem. Even wanted to watch as people battle to keep their event alive and their dead body dead?

Brighton Fringe Interviews: Tristan Wolfe As well as writing and directing his own Brighton Fringe show, Nick Myles somehow found the time to grab six of his fellow writers to find out more about their shows. You can find details of all the others here. Tristan Wolfe’s Break: Out is more than just a comedy show. It’s about the power of breaking through, breaking down, and ultimately, breaking out. Whether you’re queer, questioning, or simply human, these stories from the brink will resonate, inspire, and—hopefully—make you laugh at the absurdity of it all. Break: Out plays at Laughing Horse @ The Walrus (Tusk Club) on 4, 11, 18, 25 May & 1 Jun. Further information and tickets available here. Show in a nutshell? A queer comedy about survival, stage fright, and finding my voice after nearly dying. What was your inspiration? Wanting to turn trauma into something that says: anything’s possible, talk about it, don’t hide. Why Brighton Fringe? I live in Brighton! Who do you think your show will appeal to? Queer people, anxious creatives, comedy fans, and anyone who’s nearly fallen apart. Do you plan to take the show elsehwhere after Brighton? Rik Mayall Comedy Festival, Buxton Fringe, Manchester Fringe, Camden…

From artistic inspiration to hopes and expectations and the mucky business of finance, hear what seven writers have to say about their artistic babies, from naked Shakespeare to sitcoms.

Ruth Berkoff's The Beauty of Being Herd certainly fits the fringe ethos perfectly, where else will you find a grown woman dressed up as a sheep?

Martin Stewart on Prospero’s Dead, a show with more than a passing nod to Shakespere's The Tempest

Annabel Edmonds does a live read-through of her sitcom scripts to critical acclaim and universal approval

Annabel Edmonds does a live read-through of her sitcom scripts to critical acclaim and universal approval

Mark Ravenhill discusses his latest project, Run At It Laughing, playing at Wilton’s Music Hall this May, a project of ten new comedies, presented as rehearsed readings over two days.

Robert Penny on performing in Playing Shakespeare with Deutsche Bank's Macbeth at Shakespeare’s Globe