Opera
Contrary to the opinions of some, opera is so much more than the fat lady singing. We didn’t used to be fans, but some of the productions we’ve seen have had us laughing and crying in equal measure. Don’t knock it till you’ve tried it!
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Review: The Magic Flute, Greenwich Theatre
An ambitious, thought-provoking production of Mozart’s fantastical opera, performed with style and expertise.
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Review: The Merry Widow, Festival Theatre
A fantastic rendition, dazzling both veterans and those new to opera with a humorous and charming take on a show over a century old.
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Review: The Magic Flute, Wilton’s Music Hall
You’ll leave whistling the tunes and admiring the singers, but a perfunctory libretto and some wayward production choices won’t quite win your heart.
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Review: Lear by National Changgeuk Company of Korea, Barbican Centre
Beautiful, epic and arresting
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Review: T555: Verlaine En Prison, Arcola Theatre
A poetic glimpse into a troubled genius’ mind and life.
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Review: La Bohème, Arcola Theatre
A gritty modernised adaptation of a classic.
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Review: The Grand Duke, Drayton Arms Theatre
There may very well be a pleasant surprise waiting
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Review: Der Vampyr, Arcola Theatre
A hilarious and deeply uncomfortable take on a classic that brilliantly blends comedy, horror, and feminist critique.
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Review: The Fabulist, Charing Cross Theatre
There’s a bit of magic, a lot of silliness and really well-performed music.
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Review: Opera Locus, Peacock Theatre
A whimsical journey through the world of opera