Opera
Contrary to the opinions of some, opera is so much more than the fat lady singing. We didn’t used to be fans, but some of the productions we’ve seen have had us laughing and crying in equal measure. Don’t knock it till you’ve tried it!
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Persuasion, Shaw Theatre – Review
This unique operetta is a mixed bag, but there will be something here for everyone to enjoy.
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The Marriage of Kim K, Arcola Theatre – Review
A mind-bending, thoroughly enjoyable romp through several centuries of music and marriage.
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Vixen, The Vaults – Review
The best opera I've seen in years. Unmissable.
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The Mikado, Richmond Theatre – Review
Pros: Lively, lovely and wonderfully funny. Cons: Hard to find any. No, really, it’s very good! The Mikado can be a challenging production. An opera set in Japan but written by two Caucasian Britons in 1885, which has actors running around…
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The Magic Flute, King’s Head Theatre – Review
Pros: Hilarious performances, beautiful singing and outstanding design. Cons: Without an orchestra some of Mozart’s magic is lost. Walking through a charming pub straight into a small pocket of the South American jungle isn’t how most would expect to start a night…
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Noh Time Like The Present, LSO St Luke’s – Review
Pros: A rare opportunity to appreciate a form of theatre which has been performed without interruption since the 14th century. Cons: As with anything out of the ordinary, this show can be quite challenging to follow, due to the lack of…
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Madam Butterfly, King’s Head Theatre – Review
An accessible production with some captivating performances.
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Scenes from the End, Tristan Bates Theatre – Review
Pros: Héloïse Werner’s hauntingly beautiful, intense and masterful performance. Cons: The abstract nature of the piece means that it is sometimes hard to empathise with the characters and to feel a connection with the emotions portrayed. Grief is a personal experience…
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Rough for Opera #14, The Cockpit – Review
If you are open to an evening of experimental theatre, you will not regret it.
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La Bohème, King’s Head Theatre – Review
Humour outweighs tragedy in this enjoyable new version of a classic romantic opera that takes audience participation to the next level.