Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Girls Like That, Unicorn Theatre – Review
A fast-paced, topical play confronting issues that will be relatable for many teenage girls.
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BLIND, Canada Water Culture Space – Review
Funny, lively, and poignant – this is a show which wins for so many reasons.
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Mrs Horton’s Finger, Ovalhouse – Review
An engrossing piece of work-in-progress devised theatre, filled with fun and creative promise.
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Jekyll & Hyde, Barons Court Theatre – Review
A well-staged version of a legendary story that always appeals to the imagination.
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The Eloquence of a Fairy Tale, Swedenborg House – Review
A delightful evening of entertainment that goes back to the very basics of storytelling while taking an intriguing look into the depths of fairy tales and myths.
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Romeo and Juliet, London Theatre Workshop – Review
Innovative touches and superb acting bring freshness to a very familiar play.
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Echo Beach, Battersea Arts Centre – Review
A sharply observed dance down memory lane, which will have you cringing and laughing in recognition. If you think you’ve got cool moves you’ll find you’ve been outed!
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Taming Who, St Saviour’s Church – Review
An energetic and very funny show that does Shakespeare proud.
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Do We Do the Right Thing?, New Diorama Theatre – Review
This show is a montage showing excerpts of numerous individuals’ stories. It has some nice moments and great character and narrative potential that is never fulfilled.
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Dad Dancing, Battersea Arts Centre – Review
A charming show, full of warmth and humour. Dance is used brilliantly in the service of storytelling.