Laura Kressly
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Features
The Rise of the Independent Critic
Network of Independent Critics co-founder Laura Kressly discusses the rise of the independent theatre critic and the consequences of the…
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Brenda, The Yard Theatre – Review
Mental health and poverty are the cause of this couple’s breakdown. A conceptually interesting play, but slightly underdeveloped and not…
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Interviews
Interview with Made In China
As their new show opens at Soho Theatre, Made In China's Tim Cowbury and Jess Latowicki talk to Laura Kressly.
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Real Life, Camden People’s Theatre – Review
The performance and production skills are evident, but it can be difficult to connect to the material if you don’t…
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Twelfth Night or What You Will, The Space – Review
A slow and confusing first half. The concept, though visually appealing, fails to enhance the audience's experience of this well-known…
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No Feedback, Theatre Delicatessen – Review
An innovative approach to explore the process of human rights violations, which unfortunately doesn’t quite carry through to the end.
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Learning How To Die, Ovalhouse – Review
This show has great intentions and a welcoming atmosphere, but became preachy and had an anti-climactic end.
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Beta Testing, Jackson’s Lane – Review
The juggling acts are great fun and awe inspiring, but long expositional sections counter the extraordinary physical skill.
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Birdphobia, The Space – Review
This performance has a unique concept, but could have been executed more effectively.
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Creditors, Jack Studio Theatre – Review
An excellent tale energetically performed by a great cast, but this re-written version of Strindberg’s 1888 play doesn’t always ring…
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