A gripping, timeless family drama with fabulous female characters and a stunning central performance.
Read More »Author Archives: Clare Annamalai
Review: Tommy On Top, Above The Stag
Slick, smart and a guaranteed mood-improver.
Read More »Review: When Sarah Arrives, White Bear Theatre
A promising situation comedy
Read More »Review: The Pirates of Penzance, Palace Theatre
What could be more cheering in 2020 than to be back in a theatre at Christmas?
Read More »Select A Quest, Online – Review
Daft and superficially DIY this may be, but it’s cleverly put together
Read More »Be More Chill, The Other Palace – Review
A bright and lively musical with emotional heft in parts
Read More »Luzia, Royal Albert Hall – Review
Returning home from Cirque du Soleil’s Luzia at the Royal Albert Hall, I posted a quick mention on Instagram. The next morning there were several likes and comments from performers in the show. We expect that sort of engagement after shows from small companies, in small venues, but not so much after shows that list 14 different credits…just for the programme! It was a valuable reminder that while Cirque du Soleil is a juggernaut, it carries individual artists who train, ...
Read More »The Mystery of the Raddlesham Mumps, Wilton’s Music Hall – Review
Exuberant spoken word is brought to even greater life with charming, quirky performances
Read More »Bottled, Vault Festival – Review
Like the abusive marriage that it describes, Bottled starts off deceptively sweet. It is Katy’s 15th birthday, and she’s celebrating at home with family and her mum’s boyfriend, some shiny balloons and a violently pink cake. As she talks us through the scene, describing the characters and their part in her life, the commentary is wry and perceptive, a healthy mix of childish candour and teenage snark. When, shortly after that birthday party, she hooks up with Bradley, a hot, ...
Read More »Notre Dame de Paris, London Coliseum – Review
Pros: Nicely menacing Gothic atmosphere. Cons: Shallow characterisation and a complete lack of variation in tone A word of warning to anyone planning a visit to Notre Dame de Paris at London Coliseum. Brace yourself. Brace for histrionics. The breast-beating starts early, with the first big number, Les Sans-papiers, and never really lets up for the rest of the show. The understandable anguish of the outcasts, the vulnerable and the falsely accused is rendered with the same power ballad intensity ...
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