Clare Annamalai
Clare works in arts administration, after a previous career in retail and pharmaceuticals. She is a backseat driver of Everything Theatre, and navigator to two children.
Always more positively disposed to shows that publish their running time.
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Child of the Divide, Polka Theatre – Review
A simple, moving introduction to a mammoth event in recent history.
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Richard III, Temple Church – Review
A solidly entertaining production that sometimes tries too hard to underline the play’s contemporary relevance.
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Men & Girls Dance, Tate Britain – Review
A charming dance work from accomplished yet unaffected performers.
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Extravaganza Macabre, Battersea Arts Centre – Review
The thinking person’s summer panto.
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Le Misanthrope, Drayton Arms Theatre – Review
Pros: A skilled ensemble whose evident enjoyment is infectious. A great soundtrack featuring the great Gainsbourg. Cons: Cluttered staging and an…
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Radieuse Vermine, Leicester Square Theatre – Review
Dark satire delivered in bright, breezy and impressively physical style.
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Ready or Not, Arcola Theatre – Review
A pertinent, intelligent and often funny tragedy about war, fear and family.
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Honk!, Union Theatre – Review
A joyful family musical with a simple aesthetic that cannot disguise its high production values.
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