An interesting exploration of the relationship between exploitation and entertainment in reality TV. The ideas are compelling and the acting is strong, but play would benefit from tighter structure and plot.
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When We Dead Awaken, The Space – Review
A fantastic venue with great set and audio design. The show, whilst challenging and sometimes hard to follow, is an arresting and interesting performance.
Read More »Mrs Roosevelt Flies to London, King’s Head Theatre – Review
An accomplished, intriguing, interesting show about an accomplished, intriguing, interesting woman. Unfortunately, we never quite get to meet the real Eleanor Roosevelt.
Read More »Lovesong of the Electric Bear, The Hope Theatre – Review
A clever, exciting and surprising play. Unusual and experimental yet still accessible and fun to watch.
Read More »Pride and Prejudice, Rosemary Branch Theatre – Review
Another immensely enjoyable production from Rosemary Branch Theatre. A lively, fast-paced adaptation that doesn’t stop to draw breath, sparkling with Jane Austen’s brilliantly funny characters and witty dialogue.
Read More »Yarico, London Theatre Workshop – Review
A compelling, memorable show that carefully mixes comedy with tragedy and joy with sorrow.
Read More »Bacchae, Bloomsbury Theatre – Review
Striking, intense and unsettling: an impressive production of a strange and violent play.
Read More »Bat Boy, The Musical, Southwark Playhouse – Review
Competent acting, compelling music, and high production values hold together a story that is at its best bizarre and at its worst manic and unpleasant.
Read More »If Only . . . , Bread & Roses Theatre – Review
Warm and convincing portrayal of a tender and tumultuous mother-son relationship. Limited in scope but compelling and moving.
Read More »Children’s Theatre: innovation and change
For many people, children’s theatre means Christmas pantomimes. But today’s shows for children are exciting, challenging and innovative. Helen Dalton looks at how children’s theatre is growing up.
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