Mary Pollard
By her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. She has a long history with Richmond Theatre, but is currently helping at Shakespeare's Globe in the archive. She's also having fun being ET's specialist in children's theatre and puppetry! Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance.
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Reviews
Mary Pollard26 November 2023Review: The Wolf, the Duck and the Mouse, Unicorn Theatre
A slightly dark and surreal, but cheerily presented, twist on a fairy tale
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Reviews
Mary Pollard25 November 2023Review: Father Politics, The Coronet Theatre
A common message given striking new impact
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Reviews
Mary Pollard25 November 2023Review: She Stoops to Conquer, Orange Tree Theatre
An impeccably executed, playful production.
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Reviews
Mary Pollard23 November 2023Review: The Snow Queen, Polka Theatre
Three kinds of vanilla in a frenetic, frosty fairy tale that’s a bit befuddled.
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Reviews
Mary Pollard19 November 2023Review: La Petite Gerda, Wilton’s Music Hall
A charmingly folksy interpretation of a classic fairy tale
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Mary Pollard15 November 2023Review: The Jinkx & DeLa Holiday Show, London Palladium
Delicious Christmas spice that's hilariously naughty AND nice.
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Reviews
Mary Pollard12 November 2023Review: Puppetman, Leicester Square Theatre
Jaw-dropping ventriloquism in a subterranean bar in the West End – what’s not to like?
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Reviews
Mary Pollard11 November 2023Review: Hot Orange, Half Moon Theatre
Brave, bold, provocative and lyrical
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Interviews
Interview: A hot take on teenage troubles
Writer/ performer Tatenda Naomi Matsvai on new play Hot Orange
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Reviews
Mary Pollard4 November 2023Review: Fisherman Jon: What’s On The End Of My Rod? Puppet Theatre Barge
An absurd but endearing tale of identity, passion and poisson, as deep as the deep blue sea
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