Mary Pollard
By her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 17 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. She has a long history with Richmond Theatre, but is currently helping at Shakespeare's Globe in the archive. She's also having fun being ET's specialist in children's theatre and puppetry! Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance.
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Interviews
Interview: The Card-Bard Returneth
Sam Wilde on bringing The Fir Tree to Shakespeare’s Globe
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Review: Daytime Deewane, Half Moon Theatre
An exceptional, joyously buzzing piece of immersive gig theatre.
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Interviews
Interview: Tellling The Truth for Pinocchio
Justin Audibert and Eve Leigh on Unicorn Theatre's Pinocchio
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Review: Diana: The Untold and Untrue Story , Pleasance Theatre
A treasonous triumph of a production that will have you crying with laughter.
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Review: The Queen of the Ocean, Savoy Theatre
It was like attending a wedding with a massacre occurring in the background.
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Review: The King of Nothing, Little Angel Theatre
Plenty of laughs for the whole family.
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Features
Feature: Shaftesbury Theatre: Dramatic Transformation
Helping put heart into the art of the West End
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Review: An Improbable Musical, Hackney Empire
This is world class improv, elevated to an extraordinary level.
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Review: Trainspotting Live, Riverside Studios, Hammersmith
Offensive, joyous, crass, distressing, life-giving, life-taking, invigorating
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