Mary Pollard
By her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 17 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. She has a long history with Richmond Theatre, but is currently helping at Shakespeare's Globe in the archive. She's also having fun being ET's specialist in children's theatre and puppetry! Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance.
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Review: Terrence the T-rex, Edfringe 2022
A Jurassic joy of a production that is delightfully weird and full of laughs.
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Review: Captain Zak and the Space Pirates, Edfringe 2022
A joyfully energetic, fun family production.
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Review: Leonardo! A Wonderful Show About a Terrible Monster, Edfringe 2022
A dynamically fun, inventive and creative multimedia show.
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Review: Eurovision Sock Contest, EdFringe 2022
Scottish footwear at its absolute silliest.
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Review: Caligari, Edfringe 2022
Enormously entertaining, visually impressive and socially challenging.
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Review: The Mermaid and the Cow, Edfringe 2022
A fun, empowering conversation about environmental protection.
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Review: Famous Puppet Death Scenes, EdFringe 2022
Exquisitely exploits the peculiar space between life and animation.
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Interviews
Interview: Can We Tempt You With Some Tempest?
Rachel Hannah Clarke on playing The Tempest's Ariel
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Review: David’s Play, The Space
Demonstrates how representation of the disabled can be a normality
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