Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Dracula, Lion & Unicorn Theatre – Review
A haunting, atmospheric production that keeps the audience on its toes.
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The House That Looks Like Hitler, The Courtyard Theatre – Review
A funny and original piece of theatre, which takes a wry look at tabloid news and its effect on the lives of ordinary people.
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Lunchtime Fourplay 3, St. James Theatre – Review
More lunchtimes should be like this!
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Macbeth, LOST Theatre – Review
A stunning central performance is supported by a few strong showings, but there are a lot of missed opportunities here.
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Bacchae, Bloomsbury Theatre – Review
Striking, intense and unsettling: an impressive production of a strange and violent play.
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Gods and Monsters, Southwark Playhouse – Review
A solid production, built around strong performances, which works tirelessly to resurrect the life of one of Hollywood’s forgotten giants.
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She Loves Me, Landor Theatre – Review
Light, frothy musical entertainment that’s easy on both the eye and ear.
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Little Light, Orange Tree Theatre – Review
Certainly a must-see for this season at the gorgeous Orange Tree Theatre, this heart-rending tale of loss is full of love, drama and disaster.
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Othello, The Rose Theatre, Bankside – Review
If this fast-paced, intimate production of Shakespeare’s take on the perils of jealousy doesn’t do it for you, the magic of the Rose Theatre certainly will.
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Skint, The Vaults – Review
A funny and well-written piece about four young east Londoners struggling to get ahead.