An accomplished, intriguing, interesting show about an accomplished, intriguing, interesting woman. Unfortunately, we never quite get to meet the real Eleanor Roosevelt.
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Birdphobia, The Space – Review
This performance has a unique concept, but could have been executed more effectively.
Read More »Animals, Theatre 503 – Review
Animals poses some truly challenging questions about where our society is heading but the execution of these ideas, at least at present, is a little clumsy.
Read More »In Bad Taste, Jaguar Shoes – Review
A cabaret inspired performance piece that has sparks of magic but that needs to do more to earn its name.
Read More »Lampedusa, Soho Theatre – Review
Eye-opening and ear-poppingly shocking. With subtlety and wit in equal measure, we’re told a story that actually matters.
Read More »Voices, Lion and Unicorn Theatre – Review
Prepared to be baffled by this mix of WWI poetry, interspersed with a veteran’s real life story. Suitable for those already familiar with the poems or those up for a neighbourhood play between drinks.
Read More »King Lear – The Rose Playhouse, Review
It’s the right play, with the right cast, in the right venue. A great addition to the performance history of King Lear.
Read More »Death Row Cowboy, The Courtyard Theatre – Review
A solid production debut – with some great strengths, and a few weaknesses. Three Peas have potential.
Read More »Blush of Dogs, Tabard Theatre – Review
Fragen Theatre Company’s brave attempt at a new Greek tragedy is a mixed bag. Although sometimes a bit slow, there are moments of visceral brilliance.
Read More »Miann, Southbank Centre – Review
A haunting, expressive performance, but it probably appeals mostly to specialist audiences.
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