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Reviews
Review: Seven Drunken Nights: The Story Of The Dubliners, New Wimbledon Theatre
A musical tribute let down by clunky storytelling but buoyed by terrific songs, skilled playing, and just enough infectious Irish…
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Reviews
Review: The Old Ladies, Finborough Theatre
Strong performances and gothic design cannot rescue this geriatric 1935 thriller from feeling like a museum piece.
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Reviews
Review: Vincent in Brixton, Orange Tree Theatre
A beautifully acted, expertly written imagining of Van Gogh’s early days that tackles questions about art, love and happiness without…
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Reviews
Review: Swans Are F****** Arseholes, Canal Café Theatre
A muddle of a play that abandons its timely AI revenge-porn premise for incoherent plotting and erratic characters — redeemed…
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Reviews
Review: Collaborator, The Place
A tender reflection, Collaborator transforms twenty years of partnership into a quietly rebellious piece of circus theatre, rich with vulnerability…
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Reviews
Review: Beautiful Little Fool, Southwark Playhouse
A glossy musical biography that leaves a genuine 1920s tragedy unexplored by trading uncomfortable truths for banal, lazy storytelling.
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Features
Feature: The Year I Craved Human Connection
Mike Carter Looks Back at His 2025 We continue our review of 2025 with Mike Carter, who this time last…
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Reviews
Review: A Midsummer Night’s Dream, Shakespeare’s Globe
A wintry reimagining of Shakespeare’s popular comedy that is intriguing, occasionally unsettling, but not always entirely convincing.
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