Reviews
Reviewing is at the heart of what we do. Here you’ll find all the reviews that our wonderful team have written. If you want to find something more specific, why not pick a genre of show instead from the menu.
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Review: and I looked at the sky, Omnibus Theatre
A thoughtful and quietly courageous performance that examines difficult questions with sharp, passionate dialogue, a committed cast and solid staging.
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Review: We’ll Always Have Paris, White Bear Theatre
Desperately seeking …LERV, Ginny can’t find that man in her life who’s real and not out of the movies. This new play charms but ultimately misses its mark.
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Review: Mamma Mia, Lyceum Theatre, Sheffield
A fun, high-energy party of a musical, peppered with timeless ABBA classics and excellent performances.
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Review: Twenty Thousand Streets Under the Sky, Southwark Playhouse
Ordinary lives, fraught choices and the quiet tragedy of wanting more in a city whose narrow confines haven’t shifted in a hundred years.
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Review: Darkling, Bush Theatre
Darkling is an intense and incredibly important act of remembrance with a few teething problems.
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Review: Love’s Labour’s Lost, Bridewell Theatre
The lads can’t keep a promise so the girls call the shots in this cracking musical version of the Bard’s play
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Review: BRILLIANT BRITISH: Lingering Loves, Crazy Coqs
Amid saxophones and Art Deco glamour, a trio of evocative, love-laden tales unfolds, leaving a gentle reminder of the voices yet to join the chorus.
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Review: Night City, Southwark Playhouse
A physical and darkly cinematic show about London and the largely hidden workforce that keeps it going.
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Review: Talking People, Bush Theatre
An original, unpredictable and gripping piece of theatre.
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Review: The Human Voice / The Seven Deadly Sins, Charing Cross Theatre
A double bill of two short operas, The Human Voice / The Seven Deadly Sins is a lovely pairing dominated by a great leading vocal performance.