Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Girl From Nowhere, Theatre503 – Review
This daring one-act captures the rebel spirit of late 1960s America bringing to mind the likes Janice Joplin, Forrest Gump, and shattered American dreams.
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The King Must Lie, White Bear Theatre – Review
A beautifully written, well delivered play. Interesting, entertaining and not to be missed.
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Spokesong, Finborough Theatre – Review
A funny, profound and insightful look at eighty years of Irish history.
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The Kitchen, Jackson’s Lane Theatre – Review
A great ensemble and touching observations about humanity make The Kitchen worthwhile.
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Being As I Am, King’s Head Theatre – Review
Splendid acting in a show that ultimately feels somewhat lacking in purpose.
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Fourteen, Watford Palace Theatre – Review
Moving and humourous in equal measures, tackling cultural and emotional issues faced by the protagonist in an unsentimental, intelligent, and enlightening way.
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Sandel, Above The Stag – Review
An emotional story that is both witty and heart wrenching: overall an enjoyable show!
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Johnny Got His Gun, Southwark Playhouse – Review
Amid the current hype over centenary celebrations, this WWI drama carries an alternative and relevant message for today and delivers it superbly.
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John Ferguson, Finborough Theatre – Review
A potentially strong performance of a play that has interesting ideas but rather lacks something for the modern day audience member.
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Tea With Mamgu, The London Welsh Centre – Review
A Heartwarming approach to dementia's effect on family and friends, but ultimately lacking a bit of depth.