Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
-
Our Lear, Theatro Technis – Review
An interesting concept that fell short in the delivery.
-
Vinegar Tom/The Ice Man, Jackson Lane Theatre – Review
An enthusiastic ensemble performs two very different but good plays, which are flawed in the one in direction, and the other in length.
-
Thick and Tight and 70/30 Split, The Lion & Unicorn Theatre – Review
A zany and entertaining double bill that enables the audience to explore two distinct but complementary styles.
-
Between Us, Arcola Theatre – Review
Between Us defies expectations. Funny, well-observed and thought-provoking. Well worth seeing.
-
Picture Perfect, St James Theatre – Review
A schmaltzy song cycle with heartwarming highs that will leave you feeling fuzzy.
-
Matilda and Me, The Albany – Review
This thought-provoking, challenging soliloquy examines the importance of keeping our memories alive.
-
The Manual Oracle, The Yard – Review
A beautifully conceived variety of sketches that are well-executed, and thought-provoking.
-
One Man Show – Projector/Conjector – GRAFT, The Place – Review
Mamoru Iriguchi’s triple bill at The Place is as strange as it is funny, while his use of technology is remarkable.
-
INvocation, The Lion & Unicorn Theatre – Review
Lily is our favourite kind of performer: brave, funny, honest and clearly enamoured with her craft.
-
Pool, Brockley Jack Studio Theatre – Review
New writing with heart but trips up at points.