Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Our Fathers, Battersea Arts Centre – Review
An interesting production looking at fatherhood from both sides, but it feels like there is still some polishing to be done.
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The Black Cat Cabaret, London Wonderground – Review
Cabaret exactly as you’ve always wanted to see it. The perfect way to spend a summer Friday night.
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Cyrano of Brixton, Brockley Jack Studio Theatre – Review
A thoughtful and often funny take on a classic tale, but the flawed script, unpolished performances and design features need ironing out.
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Punching Jane, Courtyard Theatre – Review
This is a great premise for a play but in its current state is more flyweight than heavyweight. Very different from anything else off West End currently.
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Rock The Ballet, Peacock Theatre – Review
It’s loud, cheeky, unsubtle and unabashedly entertaining. A proper crowd-pleaser.
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The Corruption of Dorian Gray, The Lion and Unicorn – Review
An atmospheric and highly enjoyable adaptation of Oscar Wilde’s famous story.
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Turfed, Hackney Downs Studio – Review
A laudable attempt to interpret youth homelessness via the universal language of football.
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This Is That, The Place – Review
This engaging and entertaining installation dance piece gives you plenty to think and laugh about.
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Winky, Soho Theatre – Review
Bittersweet, original, and maybe a turn too quirky.
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Super Premium Soft Double Vanilla Rich (LIFT Festival), Arts Depot – Review
A fascinating commentary on modern Japan - thought provoking and humorous, but tedious at points.