Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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We Can See It From Here and Learning How To Die Ovalhouse Theatre – Review
These promising shows explore the cost and bravery of living life to the full. An enjoyable and relaxed night out for those up for encouraging new and developing theatre.
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Wet House, Soho Theatre – Review
A strong cast weave a comedic and dramatic tale that has more twists in it than a corkscrew in a bottle of plonk!
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Lost In The Neuron Forest, Camden People’s Theatre – Review
An interesting, interactive and engaging production on a growing issue and very topical subject that many of us would prefer to turn away from.
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Who Do We Think We Are?, Southwark Playhouse – Review
This is fundamental storytelling of the best sort: the life stories of the people around us, of those that came before us and those before them. It doesn't get more captivating than this.
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Coolatully, Finborough Theatre – Review
An impressive show, but a thorough tightening of the plot is required.
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Dead Arise, Camden People’s Theatre – Review
An exciting, visceral experience that constantly challenges the senses.
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Sweeney Todd: The Demon Barber of Fleet Street, Harrington’s Pie and Mash Shop – Review
Thrilling, original and demonstrating lots of creativity, Sweeney Todd rivals big budget West End shows with the enthusiasm of its cast and the intimacy of immersive theatre.
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Tony & Mike, The Ovalhouse – Review
An enchanting children’s story with likeable characters that easily win the audience’s affection.

