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Reviews
Review: Paywall, C Aurora
Neysa Killeen has created a great character in her wannabe journalist Lizzy, now she needs to build a stronger platform…
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Reviews
Review: Very Hot. Very Messy. Underbelly Cowgate
Georgia Polly-Taylor is a talent we should all embrace. She clowns, she farts, she does puppetry, and she leaves the…
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Reviews
Review: Pecking Order, Underbelly
Madcap scenes are interspersed with beautifully choreographed movement to create an interesting sketch show. It requires a little more focus,…
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Reviews
Review: Brick, C Aurora
A slow creeper of a play, humour and ranting leading you astray until the ending takes you completely by surprise.
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Reviews
Review: This is Not Hansel and Gretel, Banshee Labyrinth
A flowing retelling of the classic fairy tale. There’s no doubting the storytelling talent, but the show is too long…
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Reviews
Review: Good Girl, Gilded Balloon Patter House
Mimi Collins puts it all out there in the most powerful way possible as she reclaims her story and her…
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Reviews
Review: Nothing Personal, Gilded Balloon Patter House
A clever portrayal of trying to be "one of the boys" in the stand-up world, no matter the cost.
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Interviews
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Edinburgh Festival
The Freedom of Madness: Unpacking The House of Pitman
Luke Pitman on neurodivergence, breaking free from people-pleasing, and why the best clowning puts the audience first
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Interviews
Interview: A Rom-Com with a Broken Heart
Discover how writer Paul Kalburgi and director Kay Brattan brought We’ll Always Have Paris to London's White Bear Theatre
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