Mary Pollard
Head Editor at ET, by her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance. She's a specialist in Theatre for Young Audiences (TYA) and has recently been collaborating with Polka Theatre to deliver masterclasses on reviewing it. Her other obsession is puppetry, and in 2024 she was awarded the British Puppet Guild's President's Plate by Ronnie Le Drew. In recent years she's overseen several awards categories for multiple organisations, including TYA for the Offies and TYA, Puppetry and Access for the Fringe Theatre Awards - and of course who knows what at the Etties!
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Reviews
Review: David’s Play, The Space
Demonstrates how representation of the disabled can be a normality
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Reviews
Review: Room on the Broom, Lyric Theatre
A delightful, magical musical that’s great fun as it is, but perhaps not quite what it says on the tin.
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Reviews
Review: Odds On, An Interactive Short Film
A stunningly clever hybrid of intimate drama, film and gameplay
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Reviews
Review: The Making of Pinocchio, Battersea Arts Centre
An enormously funny, brave and bold story.
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Interviews
Interview: There’s Always Room on Our Broom
Tall Stories' Olivia Jacobs tells us about bringing a new version of Room on the Broom to the West End
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Reviews
Review: Marvin’s Binoculars, Unicorn Theatre
A dynamic, optimistic production with a great cast and important messages.
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Reviews
Review: Tristan and Isolde, Coronet Theatre
A breath-taking and exhilarating depiction of Wagner’s epic tragedy
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Reviews
Review: The Paper Dolls, Polka Theatre
Expect laughter, dinosaurs, tigers, starlight and a spot of sibling spite.
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Interviews
Interview: Bringing Science Into Theatre
Curious Directive's Jack Lowe on Spindrift and creating a new theatre space
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Reviews
Review: I Want My Hat Back trilogy, Little Angel Theatre
Hysterically funny and stunningly imaginative.
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