Mary Pollard
Head Editor at ET, by her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance. She's a specialist in Theatre for Young Audiences (TYA) and has recently been collaborating with Polka Theatre to deliver masterclasses on reviewing it. Her other obsession is puppetry, and in 2024 she was awarded the British Puppet Guild's President's Plate by Ronnie Le Drew. In recent years she's overseen several awards categories for multiple organisations, including TYA for the Offies and TYA, Puppetry and Access for the Fringe Theatre Awards - and of course who knows what at the Etties!
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Interviews
Interview: There’s Always Room on Our Broom
Tall Stories' Olivia Jacobs tells us about bringing a new version of Room on the Broom to the West End
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Reviews
Review: Marvin’s Binoculars, Unicorn Theatre
A dynamic, optimistic production with a great cast and important messages.
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Reviews
Review: Tristan and Isolde, Coronet Theatre
A breath-taking and exhilarating depiction of Wagner’s epic tragedy
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Reviews
Review: The Paper Dolls, Polka Theatre
Expect laughter, dinosaurs, tigers, starlight and a spot of sibling spite.
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Interviews
Interview: Bringing Science Into Theatre
Curious Directive's Jack Lowe on Spindrift and creating a new theatre space
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Reviews
Review: I Want My Hat Back trilogy, Little Angel Theatre
Hysterically funny and stunningly imaginative.
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Reviews
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Reviews
Book Review: Making Hip Hop Theatre: Beatbox and Elements
this book is a manifesto for possibilit
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Interviews
Interview: Going From Online to Onstage Looking for a Hat
Sam Wilde on I Want My Hat Back Trilogy
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Reviews
Review: The Dwarfs, White Bear Theatre
A meticulously performed portrayal of male friendship, betrayal and vulnerability.
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