Mary Pollard
Head Editor at ET, by her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance. She's a specialist in Theatre for Young Audiences (TYA) and has recently been collaborating with Polka Theatre to deliver masterclasses on reviewing it. Her other obsession is puppetry, and in 2024 she was awarded the British Puppet Guild's President's Plate by Ronnie Le Drew. In recent years she's overseen several awards categories for multiple organisations, including TYA for the Offies and TYA, Puppetry and Access for the Fringe Theatre Awards - and of course who knows what at the Etties!
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Interviews
Interview: What Should We Wear for The King of Nothing?
Ben Glasstone on Monstro Theatre's The King of Nothing.
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Reviews
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Reviews
Review: Terrence the T-rex, Edfringe 2022
A Jurassic joy of a production that is delightfully weird and full of laughs.
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Reviews
Review: Captain Zak and the Space Pirates, Edfringe 2022
A joyfully energetic, fun family production.
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Reviews
Review: Leonardo! A Wonderful Show About a Terrible Monster, Edfringe 2022
A dynamically fun, inventive and creative multimedia show.
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Reviews
Review: Eurovision Sock Contest, EdFringe 2022
Scottish footwear at its absolute silliest.
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Reviews
Review: Caligari, Edfringe 2022
Enormously entertaining, visually impressive and socially challenging.
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Reviews
Review: The Mermaid and the Cow, Edfringe 2022
A fun, empowering conversation about environmental protection.
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Reviews
Review: Famous Puppet Death Scenes, EdFringe 2022
Exquisitely exploits the peculiar space between life and animation.
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Interviews
Interview: Can We Tempt You With Some Tempest?
Rachel Hannah Clarke on playing The Tempest's Ariel
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