Mary Pollard
Head Editor at ET, by her own admission Mary goes to the theatre far too much, and will watch just about anything. Her favourite musical is Matilda, which she has seen 18 times, but she’s also an Anthony Neilson and Shakespeare fan - go figure. Mary now insists on being called The Master having used the Covid pandemic to achieve an award winning MA in London's Theatre and Performance. She's a specialist in Theatre for Young Audiences (TYA) and has recently been collaborating with Polka Theatre to deliver masterclasses on reviewing it. Her other obsession is puppetry, and in 2024 she was awarded the British Puppet Guild's President's Plate by Ronnie Le Drew. In recent years she's overseen several awards categories for multiple organisations, including TYA for the Offies and TYA, Puppetry and Access for the Fringe Theatre Awards - and of course who knows what at the Etties!
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Interviews
Interview: When Willows Turn to Wilton’s
Piers Torday on adapting the classic Wind In The Willows.
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Reviews
Review: The Wonderful World of Dissocia, Theatre Royal Stratford East
Surreal, hilariously entertaining and a poignant insightful journey.
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Reviews
Review: Estate Voices, Victoria and Albert Museum
An inspiring, invigorating and immersive experience
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Reviews
Review: Landscape With Weapons, Cockpit Theatre
The flaws of this revival make for a largely unsuccessful drama.
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Reviews
Review: This Woven O, GDIF
An accessible and enjoyable outdoor communion with nature through poetry, movement and music.
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Reviews
Review: Attenborough and his Animals, Wilton’s Music Hall
A brilliant, flawless piece of physical theatre and fabulous family comedy.
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Interviews
Interview: What Should We Wear for The King of Nothing?
Ben Glasstone on Monstro Theatre's The King of Nothing.
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Reviews
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Reviews
Review: Terrence the T-rex, Edfringe 2022
A Jurassic joy of a production that is delightfully weird and full of laughs.
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Reviews
Review: Captain Zak and the Space Pirates, Edfringe 2022
A joyfully energetic, fun family production.
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