The Barbican
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Mary Pollard2 May 2025
Review: Krapp’s Last Tape, Barbican Centre
A meticulously articulate evocation of meaninglessness, with a superb performance that hypnotises and wearies in equal measure.
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Ashley Xie26 April 2025
Review: When the cloud catches colours, Barbican Centre
A poignant verbatim piece about queer ageing, which captures the fragility of belonging and the enduring search for safety.
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Interviews
Interview: Breaking boundaries in Queer East Festival
This spring, writer and director Chng Yi Kai brings When the cloud catches colours to The Pit, Barbican, as part…
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Mary Pollard29 January 2025
Review: Five Lines, Barbican Centre
A technically superbly executed production that has space and times for a little more human drama.
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Mary Pollard28 January 2025
Review: Not a Word, Barbican Centre
A wordless reflection that through mud and music screams of subjugated humanity, the true wealth that extreme poverty discloses, and…
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Jess Gonzalez16 January 2025
Review: La Manékine, Barbican Centre
Masterfully blends puppetry, live music, and physical theatre to reimagine a dark fairy tale of resilience and empowerment.
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Features
Tate Miller3 January 2025
Feature: Sharing Some Humble Thoughts
Tate Miller gives her thoughts on 2024
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Alastair Ball12 November 2024
Review: Kiss Me Kate, Cinema Screening
Kiss Me, Kate won the first ever Tony Award for best musical in 1949 and has since had a long…
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Review: The Acts, Barbican Centre
A showcase of extraordinary talent from some of the country’s leading disabled performers.
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Review: Lear by National Changgeuk Company of Korea, Barbican Centre
Beautiful, epic and arresting
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