A good cast deliver the catchy score in this revival of Lionel Bart’s nostalgic musical

Part-pissed “improv” for a part-pissed audience

Pros: Fun choreography, daft puppetry, huge energy. Cons: Heavy on smut, light on good songs. When Much the Miller’s son gets lost in Sherwood Forest, salvation comes at a price: the ragtag bunch of men who come to his rescue have a tiresome habit of breaking into song and dance. Because this is Nottingham, where life is a musical and everyone knows their lines, their steps and their place. Anyway, a few escapades later, and having won the hand of ...

A barnstorming update of a musical showcasing the unique talent of Lionel Bart.