Superb staging draws gasps all around.

An absolutely exceptional piece of work.

Questions female stories in Greek mythology and how they are told.

Sitting in a busy Jackson’s Lane auditorium five minutes in to Proteus Theatre’s Macbeth I was smiling, totally convinced by the setting and excited about what was to come. Presumably thanks to the involvement of movement consultant, George Mann, the opening was a tightly choreographed recreation of a 1980’s financial trading floor, full of wit and in-your-face charm. Twenty minutes in, however, an uneasy feeling was growing that the evening might have already peaked. By an hour in, impressive physical ...

If you want The Matrix meets 1984 with a hint of 90s rave thrown in, Lights is the show for you, taking mime to a level you might never know existed.

Set in a dystopian world where the government monitors our thoughts; we see the family who originated this nightmare through sound, light and movement.

Cutting-edge experimental theatre that is quite simply a delight to watch. Tremendously meaningful yet light-hearted. Bravo!