Such was the reaction to last year’s Reggies, we felt compelled to beg Brian to stage a sequel; so yes, we are proud to announce that the Reggies are back. Newly expanded to a ridiculously comprehensive seven categories, it’s a barometer of the best in London theatre during 2018. There may be only one person bestowing the Reggies, but there is a slavish dedication to fairness; sleepless nights agonising over who should be in, who should be out; yes Brian ...

Pros: A talented and tuneful cast making the most of a limited performance area. Cons: A low key Act I suffers in comparison with a sparkling Act II which emits a genuine West End feel. Urinetown is hardly the most obvious title for a musical, but its purpose soon becomes apparent as an antidote to the sugar coated fayre common to the genre. The show made its debut off Broadway in 2001 and went on to win two Tonies and ...

Sedos somehow manage to pull off the impossible in making this play as unique and unmissable as the original National Theatre production.

Humble but well accomplished production of one of the best plays of the 20th century.

This play is in need of a thorough edit, but the show is well acted, and the period and place are wonderfully evoked through costume and soundscape.

A new August festival brings accessible opera at affordable prices to the heart of the City.

A snappy 45 minutes of drama, consisting of two short plays, to fit into your lunch break. However, the performance of Caryl Churchill’s Seagulls far outshines the unremarkable opener, Tennessee Williams’ Every Twenty Minutes.

Considering the brilliance of the script, I did not laugh as much as I had hoped.

A fantastic night - an evening of hilarity and some naughty fun that will leave you feeling like you were part of something unique.

12th-century France merges with modern world for a charming, if fractured tale, about healing nature of friendship.