Matt Aldridge
Matt's love for theatre started with with his first role as a Harley Davidson-riding granny at the age of 9. Since then he has played the beating heart of a Jabberwocky at the Edinburgh fringe, directed a Rhinoceros (puppet) in a West-end venue, and bloodied several audience members (with a production of Titus Andronicus). Away from theatre he is training to be a patent attorney and to mix an excellent French martini.
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Review: We’re Few and Far Between, Drayton Arms Theatre
An engaging and chilling portrayal of an abusive relationship.
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Review: A Butcher of Distinction, Barons Court Theatre
yet to make up its mind about what story it’s trying to tell.
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Review: Sleepover (review No2), EdFringe 2022
Sleepover has some standout hilarious moments.
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Review: Joshua (and Me), EdFringe 2022
An absolute masterclass on the human experience that will leave you aching with love.
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Review: Fire Signs, EdFringe 2022
Fire Signs is a university story full of comedic potential
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Review: Circa: Humans 2.0, EdFringe 2022
Humans 2.0 pushes the boundaries of what modern circus can be.
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Review: Every Word Was Once An Animal, EdFinge 2022
A meta-theatrical odyssey that constantly keeps you on your toes.
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Review: Hiya Dolly!, EdFringe 2022
Fails to entertain despite a strong central performance.
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Review: Ghosts of the Near Future, EdFringe 2022
Captivating storytelling, vivid sound and enchantingly inventive live micro-cinematography.
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