Matt Aldridge
Matt's love for theatre started with with his first role as a Harley Davidson-riding granny at the age of 9. Since then he has played the beating heart of a Jabberwocky at the Edinburgh fringe, directed a Rhinoceros (puppet) in a West-end venue, and bloodied several audience members (with a production of Titus Andronicus). Away from theatre he is training to be a patent attorney and to mix an excellent French martini.
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Review: Truth/Reconciliation, EdFringe 2022
An intense and intimate exploration of identity
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My Lover Was a Salmon in the Climate Apocalypse, EdFringe 2022
Pitch-perfect gig theatre for our time.
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Review: We Wrote A Show, Camden Fringe 2022
Highlighting humanity's oddities and idiosyncrasies.
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Review: The Importance of Being Martha, Camden Fringe 2022
A moving and tender reflection on emerging back into the real world
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Review: Hand of God, The Hope Theatre
Exciting gig theatre that puts male mental health up front and leaves it all on the pitch.
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Review: In PurSUEt, King’s Head Theatre
There is potential to explore our desperate need for connection still further.
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Review: Ants, Etcetera Theatre
ANTS presents the peak of corporate cliché in a hilarious and energetic piece of theatre.
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Review: Two Palestinians Go Dogging, Royal Court Theatre
In an entertaining if muddled evening, this play tackles challenging subject matter using dark humour and inventive storytelling.
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