Reviews
Reviewing is at the heart of what we do. Here you’ll find all the reviews that our wonderful team have written. If you want to find something more specific, why not pick a genre of show instead from the menu.
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Review: The Three Bears, Half Moon Theatre
A subversive, but joyfully anarchic remix of the Goldilocks story, celebrating chosen families through inventive physical comedy, tender chaos and theatrical flair.
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Review: Instructions on How to Be Alone, Centre 151
Through a young person’s crisis, this show points out how our current systems fail to deliver critical mental health support with character and wicked irony - it just needs to breathe.
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Review: The Firework-Maker’s Daughter, Polka Theatre
A show of two halves that initially struggles to leave the pages of the book, but ultimately takes off, scatterings sparks of exciting, imaginative colour and puppetry.
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Review: All My Sons, Wyndham’s Theatre
An impeccable and emotionally affecting adaption of Miller’s classic
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Review: Marking Time, Sadler’s Wells
The transition from a quiet, intimate reflection on identity, to a fluid, playful water inspired trio culminating in a dark, ritualistic finale makes for an outstanding evening with exceptional choreography, striking visuals, and sublime live music.
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Review: Museum of Us, Canada Water Theatre
An earnest and heartfelt consideration of what it is to be British for young people in London.
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Review: The Chaos That Has Been and Will No Doubt Return, Half Moon Theatre
A gripping, high-energy blend of lyrical narration and dynamic ensemble work that portrays the vulnerability, violence, and hope young people experience.
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Review: Sophie’s Surprise Party, Underbelly Boulevard Soho
A thrilling night of circus skills packaged as incoherent house party nostalgia.
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Review: The Good Landlord, Omnibus Theatre
Served an eviction notice from a mould-infested flat? This absurdist piece attempts to deal with the issues but falls flat, to coin a phrase. Alas, a missed opportunity.
