Reviews
Reviewing is at the heart of what we do. Here you’ll find all the reviews that our wonderful team have written. If you want to find something more specific, why not pick a genre of show instead from the menu.
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Review: Eyes See Song, Etcetera Theatre
Following a successful debut at the 2025 Lambeth Fringe, Eyes See Song provides a vulnerable, courageous space to listen, learn and experience women’s stories, conditioning, and diverse, shared experiences. Author Pid’or Tampa brings her extensive insights as an Integrative Well-being…
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Review: Catharsis, Bread and Roses Theatre
A slow-burn family reckoning that promises catharsis but settles for confrontation - engaging enough in the moment without ever quite leaving a lasting mark.
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Review: Many Lifetimes, Sadler’s Wells Lilian Baylis Studio
Yewande 103 creates a stunning alchemical chamber for grief, inviting us to witness a ritual we cannot quite enter.
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Review: The Island Of Moor, The Hope Theatre
A captivating mystery drama following one determined individual through uncertain times; a large character filling his own small world.
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Review: The Present Is Not Enough, Battersea Arts Centre
A cross between performance art, theatre and dance that’s often impenetrable and opaque.
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Review: Consumed, Park Theatre
Family ties and divisions in the shadow of the Troubles.
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Review: The Old Ladies, Finborough Theatre
Strong performances and gothic design cannot rescue this geriatric 1935 thriller from feeling like a museum piece.
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Review: The Lodger: A Story of the London Fog, Old Red Lion Playhouse
A unique genre-busting take on an homage to an old school, silent movie melodrama
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Review: Mushroomification (Legs, Legs, Legs), The Drayton Arms Theatre
An unconventional piece of experimental theatre that suffers from a lack of depth
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Review: Squidge, Riverside Studios
Squidge is a sharp, darkly funny and emotionally astute one-woman-show that captures the mutual, transformative power of care and connection in unlikely places.