Opera
Contrary to the opinions of some, opera is so much more than the fat lady singing. Whilst opera does still struggle with a reputation of only being for the rich and upperclass, there are plenty of companies making opera for the fringe audience and we’ll always here for that!
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Carmen Disrupted, Almeida Theatre – Review
Though beautiful and well acted, this production about the isolation and disconnect of urban life ultimately isolates audiences with overly artsy elitism.
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Carmina burana & Serenade, English National Opera – Review
This is about the most exuberant, vibrant, downright enjoyable classical performance you'll have seen for years.
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Giovanni, The Vaults Waterloo – Review
An accessible and energetic opera, which simply requires a rethink of its staging.
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Ruddigore, The King’s Head – Review
The Charles Court Opera Company nail this production with finesse. It is lots of fun and will put a smile on your face!
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Frankenstein: The Metal Opera, The Space Arts Centre – Review
Fabulous gothic fun in a quirky format.
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The Anatomy of Melancholy, Testbed 1 – Review
A classy, polished contemporary opera that explores the history and current approach to depression - but without reaching any conclusions.
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Evita, Dominion Theatre – Review
A stunning revival of one of the greatest musicals of our time spearheaded by the gorgeous Madalena Alberto.
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Die Walküre, Rosemary Branch Theatre – Review
Flawless singers present Wagner in miniature in this condensed, skeletal production.
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Anna Nicole, Royal Opera House – Review
A show so superb that its over the top glamour, glitz and profanity will leave you begging for more!
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Façade / Eight Songs For A Mad King, Arcola Theatre – Review
An often excellent, sometimes disturbing production of difficult music by an impressive cast of young performers.