Off West End
Much like fringe theatre, trying to define what Off-WestEnd venue really means is a debate that would take us long into the night. So for our own sanity, we define it as those venues that are slightly bigger than the fringe venues (so roughly 100+ seats), but not the big West End or similar venues that form part of the Society of London Theatre (SOLT). Like fringe venues, Off-WestEnd are eligible for consideration for awards via the Fringe Theatre Awards.
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Bodies, Royal Court Jerwood Theatre Upstairs – Review
An ambitious and far-reaching exploration of family, fertility and international surrogacy.
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Mimeomia, Theatre Utopia – Review
Lots of potential for development, perfect for those who love indie physical theatre pieces.
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Touch, Soho Theatre – Review
An unflinchingly realistic portrayal of thirtysomething Dee’s dating life, which is as chaotic as her bedsit and temp job. Includes a healthy dose of humour, a whip-smart cast that’s mostly used to its advantage, and a rotating set design that…
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Klanghaus: 800 Breaths, Southbank Centre – Review
An absolutely outstanding multi-sensory promenade performance, and whether you love it or not, it’s unlikely you’ll ever have experienced anything quite like this before.
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Boys Club, Jacksons Lane – Review
Joe and Jules are forced to dress as men in order to get work on the stage, only for their plan to slowly unravel before the eyes of their audiences.
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Escape 2 , Blue Elephant Theatre – Review
Pros: Preternaturally strong aerialists are a joy to watch. Cons: Amateur production values and a lack of clear concept. I was curious and excited about this little venue – sometimes the most unassuming places are the best finds. When I…
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He Shoots! He Scores!, Above The Stag – Review
A boisterous musical with balls and a lot of heart!
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Extravaganza Macabre, Battersea Arts Centre – Review
The thinking person’s summer panto.
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Dead Souls, Theatre N16 – Review
A very intelligent and funny piece of theatre – and a tremendous first offering from Monkhead Theatre.
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Not John, John Gielgud Theatre (RADA Festival) – Review
A thought-provoking, funny and sympathetic one-man show about how employment – or lack of it – can sometimes be linked to identity and how one man tries to cope with it.