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Shrödinger’s Dog, White Bear Theatre – Review
Pros: This is a full-throttle production by a contemporary theatre company oozing with confidence. Cons: The action is distractingly far-fetched,…
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Das Fest, The Vaults – Review
Promises a lot, but the audience is never rewarded with a big enough payoff. I left feeling hoodwinked rather than…
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Consumables, VAULT Festival – Review
Precise direction, excellent writing, and perfect performances come together to ensure that Consumables’ run underground at VAULT Festival is a…
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Her Not Him, Theatre 503 – Review
Pros: This is a very funny and watchable production, but one which also poses pertinent questions about identity, societal labels and…
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Cry, Blueberry, The Cockpit – Review
An affecting one-man show in which a clown pours his heart out, recounting his personal journey through the opening three…
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Slava’s Snow Show, Royal Festival Hall – Review
Pros: You’re unlikely to see anything quite like this anywhere else. happily its uniquely irresistible Cons: Anyone looking for any…
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The Retreat, Park Theatre – Review
An undeniably funny exploration of individual ‘spiritualism’, although The Retreat is more than just a meditation on meditation.
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Quaint Honour, Finborough Theatre – Review
Coinciding with the 50th anniversary of the 1967 Sexual Offences Act, this is a nuanced and moving revival of a…
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Stardust, Southwark Playhouse – Review
A heartfelt and uncompromising confrontation of the multi-headed beast that is the global cocaine trade, which avoids patronisation and remains…
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Hammer House of Horror Live: The Soulless Ones, Hoxton Hall – Review
A show which is high in style, but low on substance. Those hoping for thrills, cheap or otherwise, should look…
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