Interviews
Want to go a little deeper into a show? Then this is the place to be. We chat with those making the theatre we review, whether that be the writers, directors, performers, even those running the theatres themselves.
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Adam Richman on ‘Stalking the Bogeyman’
Television host and producer Adam Richman talks Stalking the Bogeyman at Southwark Playhouse, the power of theatre to tackle tough topics, and his top London food picks.
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Interview with Comedy Duo Noah & Jordan
Sarah Tatersall talks to comedy duo Noah & Jordan about their comedy partnership and upcoming show at the Camden Fringe Festival.
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Interview with Owen Calvert-Lyons, Head of Theatre and Artist Development at Ovalhouse
Laura Sampson talks to Owen Calvert-Lyons, Head of Theatre and Artist Development at Ovalhouse, about his new role and what's next for this innovative fringe theatre.
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Interview with Jennie Buckman
Writer/Artistic Director and former RADA Head of Acting Jennie Buckman discusses her current play Piece of Silk and the importance of live performance.
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Interview with ‘Fury’ Director Hannah Hauer-King
Ahead of the debut of Fury at Soho Theatre, director Hannah Hauer-King discusses dramatising social issues, the creative process, and gender inequality.
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Kicking the ‘Habit’: Depicting Nuns on Stage & Screen
Ahead of the debut of his play We Wait in Joyful Hope at Theatre 503, playwright Brian Mullin argues for a more truthful depiction of nuns on stage & screen in this guest blog.
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Dominic Cooke, From Theatre to Telly
Olivier award-winning director Dominic Cooke discusses his first foray into television with the BBC's 'Hollow Crown: The Wars of the Roses.'
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Staging terror
The journey to hell and back: Stuart Slade explains what he learned when he wrote a comedy about terrorism.
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Masters, here are your parts
Lizzie Conrad Hughes, of The Salon Collective, explains why performing Shakespeare with neither script nor rehearsal is a much better idea than it sounds.
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From Michigan to Islington: a literary treasure hunt
Director Sean Turner shares his delight at unearthing and then producing, Arthur Miller's lost first play.