Year: 2026

Interviews

Interview: Dickensian drama, a silent movie score and an intriguing tearoom of secrets

Dickensian drama, a silent movie score and an intriguing tearoom of secrets

Reviews

Review: The Human Voice / The Seven Deadly Sins, Charing Cross Theatre

A double bill of two short operas, The Human Voice / The Seven Deadly Sins is a lovely pairing dominated…

Reviews

Review: Bigfoot Ripped My Dog In Half I Saw It, Soho Theatre

A series of pranks spiral out of control in this energetic, precision piece.

Reviews

Review: Making Europe Audible & From The Edda, Cockpit Theatre

A double bill of contrasting contemporary opera performances that proves modern music is more accessible than you might imagine.

Reviews

Review: The Greater Good Company, The Hope Theatre

An entertaining mystery drama presents a well-rounded and believable debate on morality, with ever-shifting viewpoints.

Reviews

Review: The Elixir of Love, Wilton’s Music Hall

A thoroughly charming adaptation that relocates Donizetti’s L’Elisir D’Amore to an English country fair.

Reviews

Review: Tartuffe (Remixed), Marylebone Theatre

A sunshine-filled reinvention of Molière’s classic, full of energy and farcical humour, but with a surprisingly complex seam that adds…

Reviews

Review: Bloodsport: After Helen of Troy, Stratford East

A modernisation of Helen of Troy set in Essex, offering sharp ideas but unfocused writing and uneven impact.

Reviews

Review: Crybabies: The Scaring, Soho Theatre

The freedom and silliness of a sketch show with the scale to make its ridiculous ideas feel spectacular.

Reviews

Review: Bad Indian, Lower Marsh Arts Club (LowMAC)

A stirring show in need of a few tweaks.

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