Each of Us, Tristan Bates Theatre

Pros: Great script; some lovely use of figurative language.
Cons: Sometimes a little difficult to keep up with the pace and fully appreciate the jokes. A well written and directed solo comedy about love, friendship and human connection in uncertain times.
summary
rating
Good
I have a confession to make before I start: I generally love most types of theatre, but Iāve made it a solid rule to avoid all plays listed as āone man/woman showā or āsolo performanceā⦠This is mostly because one of the things I like most about going to the theatre is the spectacle. I like to consider the inventiveness of the staging and set, and enjoy the interactions between the cast. Quite ridiculously, I also really like it when I see some very well directed scene transitions (I probably need to take a long, hard look at myself really). My point is that itās an unavoidable fact that the fewer actors on stage, the less action and thus, I am a little ashamed to admit, the more chance my attention will wanderā¦
So, in truth, it was with a little trepidation that I went to see Each of Us by Ben Moor at the Tristan Bates Theatre. Luckily I was pleasantly surprised. Listed as a āsolo comedyā, Moorās newly written piece is a journey into one manās consciousness; a monologue full of musings and ruminations about love, friendship and human connection in uncertain times. At a swift 60 minutes, it is the perfect running time for this kind of piece and, correctly punctuated with musical interludes, is well directed by Erica Whyman. It manages to stay fresh and interesting throughout the monologue.
Ben Moorās performance is witty and well performed. The script is well written with some lovely figurative language; there are a few points where the combination of the spoken word performance enhanced by the lighting and music produced some very touching moments. And after having seen this performance I might have to eat my hat a little and admit that āsoloā performances can be enjoyable. In fact this piece managed to keep my attention and thus made me really consider what Moor had to say: that ultimately getting involved in other peopleās lives can only be a good thing, even if it hurts sometimes.
There were a few caveats. It was a little fast-paced at times and I did miss some of the jokes because of this. This was a shame as it was littered with fairly witty observational comedy. As I mentioned before, the use of music to break up the monologue was used effectively, but it did get a little repetitive even in 60 minutes.
Those small elements aside though, this is a solo comedy piece which doesnāt need to be avoided and is in fact certainly worth a watch!
Written and Performed by: Ben Moor
Director: Erica Whyman
Music & Sound: Simon Oakes & Mark Moloney
Presented by: Show & Tell
Booking: Running at various venues in London & Oxford until 25th March 2014.
Booking Link: http://www.showandtelluk.com/tickets/each-of-us-by-ben-moor-the-london-roam