Christoffer Hvidberg Rønje gives an unforgettable performance

An uplifting celebration of the artist’s cultural identity leaves a bitter colonialist aftertaste.

Absurdism is revived in this timely new play

A wake-up call to the gentrification that is depriving London of its identity.

Joyful but disjointed physical comedy

A meta-theatrical odyssey that constantly keeps you on your toes.

a frightening physical portrayal of grief and declining mental health.

The brain is a wonderful machine. Able to store incredible amounts of information and produce a huge range of feelings and emotions. But what happens when it stops working properly? How can we salvage those precious moments, the knowledge and memories built over a lifetime? Led by Max Barton, the seven-strong band Second Body addresses this matter in an emotional musical journey. Interspersed with poetry, verbatim and a live score, it tells the story of how Max’s grandparents met and ...

Pros: Elegant, clever, playful choreography. Cons: Only thirty minutes long – perfect for the fringe, belongs in a joint billing elsewhere. Choreographer Roy Assaf’s open, flexible style of working has resulted in a confident collaboration with National Dance Company Wales which shimmers from within like a well-cut diamond. A brief 30 minutes long, the piece probes at our desire to create meaning, which might easily result in something vague and pretentious elsewhere but is approached here with light-hearted clarity. A ...

Thirty-five minutes of exhilarating, passionate dancing which makes a powerful statement.