Interview: The Art of A Very Long Show Title!

Brighton Fringe Interviews: Annabel Edmonds

As well as writing and directing his own Brighton Fringe show, Nick Myles somehow found the time to grab six of his fellow writers to find out more about their shows. You can find details of all the others here.

First up, Annabel Edmonds, who surely has the longest show title of any participant at this year’s festival, tells us about Annabel Edmonds does a live read-through of her sitcom scripts to critical acclaim and universal approval.

Annabel Edmonds is a comedy writer whose work has appeared on BBC Radio 4, BBC Radio Scotland and every stage the Brighton comedy scene has to offer.

You’ll find the show at Half A Camel – Presuming Ed’s on 22, 23, 29 and 30 May at 7.45pm. Tickets are free, or Pay What You Want, which is surely a good reason to go. More information and bookings here.

Show in a nutshell?

I’ve written two sitcom scripts. Actors are going to perform them. We’re going to record it. It’s going to be a lot of fun. 

What was your inspiration?

Seeing Joz Norris’ Eggbox, an event that showcases new scripts and short films. I loved the notion of developing a project with an audience rather than performing a polished piece of work at them. This feels very communal and joyful.

Have you done Brighton Fringe before?

Yes – I did a stand-up show called Gremlin in 2023. I was really pleased with it – for a completely un-spiritual person, it felt almost transcendent. 

Who do you think your show will appeal to?

Sitcom lovers. Whodunnit fans. Comedy geeks who want to know how funny stuff is actually made.  

What are the challenges you’ve faced with the show?

I’m a writer – I’d rather chew off my own hand than do promotion. But if I don’t promote my work, no-one will know about it.

Why should people come to see your show?

It’s comedy that’s not stand-up, improv or a play! And we have great actors involved – Jess Carrivick was in a BBC One sitcom, for goodness’ sake. 

What are your chances of breaking even?

I’m not going to break even, but it’s so much better than Edinburgh. I’m paying for my venue, flyers, actors, tech, travel, Fringe registration – I reckon it will cost about a grand. 

Anything to add?

Tickets are free. And who doesn’t like free stuff?

Many thanks to Annabel for her time. You can book tickets to see her show here.