Brave, bold, provocative and lyrical

A Raw and uncomfortable view of a couple’s grief and guilt

Thoughtfully engages with the audience

Powerful imagery and developed performances

In need of a good edit.

Cooking for Christmas will never feel the same.

Pros: Interesting staging, combined with well-rehearsed choreography and movement. Cons: A tad confusing at times and doesn’t work hard enough to fulfil Brecht’s wish of making the audience think. Brechtian theatre is difficult, both in meaning and in staging, so any company that chooses to tackle the challenges that come with this playwright and practitioner’s work, should be commended. If you are not familiar with Bertolt Brecht’s “epic” theatre then you may, at points, wonder what on earth is going on. Particularly ...

With more than a passing nod towards Tim Burton, this is a play for those who like things that little bit darker.

Exuberant, fast-paced gender comedy in an unusual and atmospheric setting.