Solo Performance
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Features
The Rise of the One-Woman Show
Sarah Tattersall has written a one-woman show. Here, she explains why we shouldn't hate it.
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Features
‘In Memory of Leaves’ and the Power of Site-Based Work
Natasha Landridge discusses the power of site-responsive work and the motivations behind her piece In Memory of Leaves in this…
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Mrs Roosevelt Flies to London, King’s Head Theatre – Review
An accomplished, intriguing, interesting show about an accomplished, intriguing, interesting woman. Unfortunately, we never quite get to meet the real…
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Fierce, Camden People’s Theatre – Review
Energetic, hilarious and absurd one-woman show full of richly drawn characters.
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Girl From Nowhere, Theatre503 – Review
This daring one-act captures the rebel spirit of late 1960s America bringing to mind the likes Janice Joplin, Forrest Gump,…
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Fleabag, Soho Theatre – Review
Fleabag is a fresh and exciting piece of theatre. Expect to split your sides laughing, gasp at its fearlessness and…
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A Cure for Ageing, Tristan Bates Theatre – Review
A thoughtful and boundary pushing contemplation on ageing, however this piece focuses very heavily on the heavier side of the…
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Dark Vanilla Jungle, Soho Theatre – Review
A gripping tour de force performance from Gemma Whelan. Often moving and darkly funny, but the increasingly absurd plot twists…
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Ham, The Space – Review
The actor in this one-man show was very good, but nothing really happened beyond the beginning of the play and…
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Pretty Ugly, Camden People’s Theatre – Review
Written and performed by Louise Orwin ★★★★ Pros: The serious and contemporary subject matter that affects all of us. Cons:…
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