A functional take on Philip Ridley's play about the housing crisis

A fraught and highly charged drama

Joseph Potter on the upcoming revival of Philip Ridley's Leaves of Glass

A powerhouse performance by Joseph Potter.

A glorious, rollercoaster two-hander.

Compelling, absorbing, vital, frantic, unmissable

The Pitchfork Disney, Philip Ridley’s debut 1991 play, aims to do two things. Firstly, to disturb the audience (it was credited with introducing “in-yer-face” theatre following its 1991 debut) and secondly, to leave you questioning what it was all about.  Somna Theatre Company, clearly working on a shoestring budget, make a good effort to do both in the small confines of the Upstairs Theatre at Oval House. From the moment we enter our two siblings, Presley and Haley Stray (Pip ...

Clare Annamalai picks her top shows of 2017.

Dark satire delivered in bright, breezy and impressively physical style. 

Harrowing