Do you like Shakespeare? Do you like booze? Do you like panto?  Answer yes to all three, then why not join us in raising a glass in celebration that Shit-faced Shakespeare are heading back to Leicester Square Theatre very soon. Because anyone who knows Shitfaced-Shakespeare know full well what to expect; Shakespeare with added booze and just a little panto! And make that two very large glasses, because why do one show when you can do two; The Merchant of ...

Interesting and funny show about the oppressive beauty standards enforced upon women.

'Mirrors' writer and performer Siobhan McMillan shares her recipe for happiness and success.

Dark satire delivered in bright, breezy and impressively physical style. 

Camp and acid tongued comedy gold that leaves you screaming for more, but lacks new material.

It might be very much a one joke pony, but that one joke has so much to offer it’s worth seeing again and again.

This is your chance to win tickets to see Shit-faced Shakespeare: Much Ado About Nothing at Leicester Square Theatre. To enter simply retweet one of our Much Ado About Nothing competition tweets before 5pm on 9 April 2017 AND tell us your favourite screwball comedy. Marking the seventh anniversary of the award-winning Shit-faced Shakespeare brand, the company are back in London with a brand new production for 2017: Much Ado About Nothing. Shit-faced Shakespeare is the hilarious combination of an entirely ...

Pros: Compelling performances, excellent comedic timing, and a clever use of modern language Cons: Not the best space for this piece with some poor directing and staging choices I knew a bit about Molière before attending Leicester Square Theatre on Saturday evening, thanks to my studies of the French Neoclassical era of theatre history, but had yet see one of his works performed. After seeing Ranjit Bolt’s adapted The Sisterhood, I know that I will be back for more humorous ...

Despite a decent turn from the leading man, there’s simply not that much happening in this show and it’s difficult to stay attentive throughout the entire 45 minute runtime.

A wonderful reminder of the Carry On genre, and a genuinely affecting performance from Ashley Christmas in the title role.