The touching and unlikely escape of a Holocaust survivor

Sitting in a busy Jackson’s Lane auditorium five minutes in to Proteus Theatre’s Macbeth I was smiling, totally convinced by the setting and excited about what was to come. Presumably thanks to the involvement of movement consultant, George Mann, the opening was a tightly choreographed recreation of a 1980’s financial trading floor, full of wit and in-your-face charm. Twenty minutes in, however, an uneasy feeling was growing that the evening might have already peaked. By an hour in, impressive physical ...

'From Ibiza to the Norfolk Broads' writer/director Adrian Berry tells us about the Bowie-centric play as it embarks on a UK tour.

Jackson's Lane Artistic Director Adrian Berry gives insights into bringing this year's Postcards Festival to life.

Joe and Jules are forced to dress as men in order to get work on the stage, only for their plan to slowly unravel before the eyes of their audiences.

The juggling acts are great fun and awe inspiring, but long expositional sections counter the extraordinary physical skill.

Smart theatre-making and fearless acting. This is a fascinating portrayal of the real and the imagined in the intertwined lives of Bette Davis and Joan Crawford.