ENO
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Interviews
Interview: From Dentist to International Producer
Murray Rosenthal of Pegasus Opera Company discusses Roman Fever
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Reviews
Review: Duke Bluebeard’s Castle, London Coliseum
Incredible singing shines out of an adapted performance.
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Reviews
Review: Jenůfa, London Coliseum
A pitch perfect but damp revival of Janáček’s masterpiece.
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Reviews
Review: The Magic Flute, London Coliseum
Mozart's classic is given a whole new lease of joyous life in this ENO production.
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Reviews
Review: The Barber of Seville, London Coliseum
Brilliant singing in this revival of a strong classic.
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Reviews
Review: 7 Deaths of Maria Callas, London Coliseum
A beguiling evening from the ‘mother of performance art’.
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Reviews
Review: Iolanthe, London Coliseum
An excellent revival, over-seasoned with ad libs and distractions
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Reviews
Review: Peter Grimes, London Coliseum
Strong staging let down by a weak grasp on the music.
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Reviews
Review: Yeomen of the Guard, London Coliseum
This Gilbert and Sullivan opera is just a little too uneven to be ranked amongst ENO’s best works.
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Reviews
