Indestructible Object - is this a metaphor for the work of female artists?

Sitting in a busy Jackson’s Lane auditorium five minutes in to Proteus Theatre’s Macbeth I was smiling, totally convinced by the setting and excited about what was to come. Presumably thanks to the involvement of movement consultant, George Mann, the opening was a tightly choreographed recreation of a 1980’s financial trading floor, full of wit and in-your-face charm. Twenty minutes in, however, an uneasy feeling was growing that the evening might have already peaked. By an hour in, impressive physical ...