A gritty modernised adaptation of a classic.

Pros: There’s something very magical about seeing an opera in such a small space and immersing yourself in the music. Cons: Some theatrical tricks employed here might be better left for the big stages. This new reworking of Giacomo Puccini’s opera Tosca, by Becca Marriott and King’s Head Theatre artistic director Adam Spreadbury-Maher, is set in Paris during World War Two. Painter Marius, played on press night by Martin Lindau, has agreed to hide a Jewish man who has escaped ...

An accessible production with some captivating performances.

Humour outweighs tragedy in this enjoyable new version of a classic romantic opera that takes audience participation to the next level.