Natasha Landridge discusses the power of site-responsive work and the motivations behind her piece In Memory of Leaves in this guest blog.
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Gertrude – The Cry, Theatre N16 – Review
A rare chance to see an accomplished revival of a significant work, but be prepared for an uncomfortable evening - both physically and emotionally.
Read More »All-Access Theatre: ‘Karagula’ and the Extra-Live Movement
PIGDOG co-founder Max Barton discusses the theatrical power of accessibility and how his current production of Karagula by Philip Ridley champions the Extra-Live.
Read More »This Much, Soho Theatre – Review
An exciting production tackling the role of tradition in modern culture in a responsible, balanced way. A fresh, funny and touching piece of contemporary theatre which audiences should flock to for style as much as content.
Read More »Titanic, Charing Cross Theatre – Review
A remarkable musical work with significant historical value. Certainly bound to become a classic.
Read More »Twist of Lemmon, St James Theatre – Review
A wonderful and emotional one man show which gives an insight into the unique father-son relationship behind one of Hollywood's finest leading men.
Read More »The Complete Works of William Shakespeare (Abridged), The Bread and Roses Theatre – Review
Pros: Builds a fantastic relationship between audience and performers. Fast paced, energetic and hilariously clever. Cons: Perhaps not suitable for anyone under the age of 16 and be warned, there is audience participation! Of the many performances mounted this year to celebrate the 400th anniversary of Shakespeare’s death, I was lucky enough to experience Burn Bright Theatre’s production of The Complete Works of William Shakespeare. This outstanding and utterly hilarious performance is a wonderful tribute to Shakespeare’s timeless tales. Combining rehearsed and unrehearsed ...
Read More »Measure for Measure, The Rose Playhouse – Review
Heady Conduct’s makeover of Measure for Measure lacks character but highlights the commitment of the company to theatrical craftsmanship.
Read More »The Idiot Brain, Dome Studio (Brighton Festival) – Review
Pros: Interesting discussion, led by smart, funny presenters Cons: More of a book promotion than a performance The Idiot Brain is billed as a light-hearted look at the psychology of superstition, the neuroscience of sleep, how tall people are more intelligent, and why a glass of wine might improve our memory. I anticipated a performed approach to the subject not unlike that in Ruby Wax’s ongoing tour Sane New World. A serious subject, approached in an engaging and intelligent way, but ...
Read More »Shakespeare Untold, Dome Studio (Brighton Festival) – Review
Pros: An imaginative new perspective on well-known stories Cons: Risks being patronising at times In a combined production from Shakespeare’s Globe and Seabright Productions, Shakespeare Untold introduces us to the worlds of Romeo & Juliet and somewhat obscurely Titus Andronicus, through the fictitious peripheral characters of the Capulet’s party planner, and the Emperor of Rome’s head chef. At two hours long, complete with interval, Shakespeare Untold is a fringe festival exception but the audience are never restless, not even for a ...
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